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Paperback (Main) 2018-11-01 £7.99 368
Paperback (Reprint) 2018-04-24 £11.94 368
Paperback (Main) 2018-01-04 £12.99 368
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Shadow Man

Published by Random House Trade Paperbacks on 2018-04-24
Paperback: £11.94
FICTION / Literary, FICTION / Thrillers

A novel of psychological suspense about an idyllic community rocked by a serial killer—and a dark secret.

Named one of the Best Mysteries of the Year by The Wall Street Journal

Detective Ben Wade has returned to his hometown of Rancho Santa Elena in search of a quieter life and to try to save his marriage. Suddenly the community, with its peaceful streets and excellent public schools, finds itself at the mercy of a serial killer who slips through windows and screen doors at night, shattering illusions of safety. As Ben and forensic specialist Natasha Betencourt struggle to stay one step ahead of the killer—and deal with painful episodes in the past—Ben’s own world is rocked again by violence. He must decide how far he is willing to go, and Natasha how much she is willing to risk, to protect their friendship and themselves to rescue the town from a psychotic murderer and a long-buried secret.

With fine, chilling prose, acclaimed author Alan Drew weaves richly imagined characters into the first of several thrilling novels of suspense featuring the California world of Ben Wade and Natasha Betencourt. Shadow Man reveals the treacherous underbelly of suburban life, as a man, a woman, a family, and a community are confronted with the heart of human darkness.

Finalist for the SCIBA T. Jefferson Parker Award • Named one of the Best Crime Novels of the Year by The Booklist Reader
“Smart, chilling, and impossible to put down.”—William Landay, author of Defending Jacob
“A stellar achievement, a book that unspools like a dark-toned movie in the reader’s mind.”The Wall Street Journal
“A home run.”—Lee Child
“Superbly done: Wade, along with forensic expert Natasha Betencourt, are both indelible characters.”Literary Hub
“The more you learn about Ben and his troubled upbringing, the more courageous the novel seems in exposing truths that most crime fiction doesn’t go near.”Kirkus Reviews (starred review)
“A descendant of Chandler’s The Big Sleep.”—Claire Vaye Watkins, author of Gold Fame Citrus

(Paperback (Reprint), 2018-04-24)
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ASIN: 0812979664
ISBN: 9780812979664
EAN: 9780812979664



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Praise for Shadow Man Finalist for the SCIBA T. Jefferson Parker Mystery Award Named one of The Best Mysteries of the Year by The Wall Street Journal and one of The Best Crime Novels of the Year by The Booklist Reader 'Excellent, atmospheric? .' .' .' [a] superb police procedural? .' .' .' [Ben] Wade is but one of many sharply etched characters who help make Shadow Man a stellar achievement, a book that unspools like a ? dark-'toned movie in the reader's mind.' ? The Wall Street Journal 'The crime part of this novel is superbly done: Wade, along with ? forensic expert Natasha Betencourt, are both indelible characters, and the passages from the criminal's perspective are chilling. Yet there is also a lot of complex emotion'? a lot of novel, if you will? going on here, especially in the excavation of Wade's past and in the tension between the remaining wildness and the parcels of civilization carved out of the valley.' ? Literary Hub

'[Alan] Drew's debut psychological thriller succeeds admirably. There? are three hearts of human darkness within, and it is for the reader to decide which character is the true 'shadow man.'? .' .' .' The Steinbeck-'like passages about the vanishing cowboy landscape contribute to the novel's power.' ''Booklist (starred review) 'Drew's engrossing novel works equally well as psychological study and cop thriller, literary novel and genre piece.' ''Kirkus Reviews (starred review) 'Alan Drew's Shadow Man? .' .' .' is as much a tangled character study and domestic drama as it is crime fiction.' .' .' .' Cozy this ain't. It's heart-'wrenching, disturbing stuff, scanning at times more like a ? bruising psychological soap opera than a crime thriller, but the author shows definite muscle, and he knows how to spin a yarn. The Reagan-'era setting lends a bittersweet nostalgia to everything (and a pointed foreshadowing of some current cultural and political woes), and the subtle but potent characterization, reminiscent of SoCal masters like Ross Macdonald or T. Jefferson Parker, makes you ac? tually give a damn about what happens to these people. Which is fine with me, because the rumors are Ben and company will be back.' ''Mystery Scene 'Drew's cinematic descriptive powers, which he displayed so well in his debut, are on full and wonderful display [in Shadow Man], helping to make it an absolute must-'read this summer.' .' .' .' Drew's prose will remind readers by turns of Dennis Lehane and T. Jefferson? Parker. This is a remarkable work that you will want to read in

one sitting, simply because its author sinks the hook so deeply from its first paragraph that it is impossible to put down until completed. I? would anticipate that you will see Shadow Man shortlisted for ? several annual awards, as well as given a place on many 'Best of? lists? of 2017.' ''Bookreporter 'Entertaining, well-'constructed? .' .' .' The darkness that affects [Ben] Wade, a lone wolf who rides horses for pleasure, forms the heart of the story, and Drew draws it out nicely while still moving the plot forward.' ''Publishers Weekly 'Drew? .' .' .' has created an in-'depth character study of a flawed man. Ultimately, that is what makes this story such a success and what will? engross readers.' ''Library Journal 'Shadow Man is not your typical serial killer thriller. It's the kind of book that sets up readers? expectations about a certain kind of 'genre fiction,' and then completely upends those assumptions, resulting in? something both unexpected and thoroughly satisfying.' .' .' . [A] satisfying suspense novel, complete with unnerving glimpses into the serial killer's mind and motivations as well as some adrenaline-? pumping pursuits. More generally, however, Drew's latest novel ? offers deep reflections into the ways damage wrought during childhood and youth continues to scar the present.' ''BookBrowse

'Compelling and unforgettable? .' .' .' tragic and beautiful. Don't miss? it.' ''TheMisstery 'A home run''wonderfully imagined and wonderfully written, patient but propulsive, serious but suspenseful, grown-'up but gripping? .' .' . Shadow Man is everything a great thriller should be.' ''Lee Child, author of Night School 'Shadow Man is smart, chilling, and impossible to put down, an accomplished thriller by a writer to watch. Alan Drew is a rising star, blending suspense and humanity with consummate style.' ''William Landay, author of Defending Jacob 'Always thrilling and often terrifying, Shadow Man is a descendant of? Chandler's The Big Sleep. Underlying the grisly dangers of Drew's? novel is the forceful honesty of all good California noir, the necessary and clear-'eyed exploration of the innate human truths that? should and do scare us.' ''Claire Vaye Watkins, author of Gold Fame Citrus 'Part murder mystery, part family drama, Alan Drew's Shadow Man has everything I like in a novel: grit, heart, and nail-'biting suspense. It's the sort of magically absorbing novel that keeps you turning the pages and checking the locks on the door.' ''Lauren Grodstein, author of A Friend of the Family

'In Alan Drew's electric new novel, Southern California in the 1980s? is? so palpable it is almost a character of its own, lucid and relevant.' His main character, Detective Ben Wade, is an outsize but? knowable force, up there with Marlowe and Jake Gittes. An ? enrapturing read from start to its unpredictable, enthralling finish.' ''Daniel Torday, author of The Last Flight of Poxl West

By Alan Drew Gardens of Water Shadow Man

Shadow Man

Shadow Man A NOVEL Alan Drew R A N D O M H O U S E | N E W Y O R K

Shadow Man is a work of fiction. Names, characters, places, and incidents are the products of the author's imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental. 2018 Random House Trade Paperback Edition Copyright ? 2017 by Alan Drew All rights reserved. Published in the United States by Random House, an imprint and division of Penguin Random House LLC, New York. Random House and the House colophon are registered trademarks of Penguin Random House LLC. Originally published in hardcover in the United States by Random House, an imprint and division of Penguin Random House LLC, in 2017. Grateful acknowledgment is made to the following for permission to reprint previously published material: farrar, straus and giroux, llc: Seven lines from 'Crow's Theology? from Collected Poems by Ted Hughes, copyright ? 2003 by The Estate of Ted Hughes. Reprinted by permission of Farrar, Straus and Giroux, LLC, and Faber and Faber Limited. hal leonard llc and sony/atv music publishing llc: Excerpt from 'Gimme Danger'by Iggy Pop and James Williamson, copyright ? 1973 by BMG Bumblebee and EMI Music Publishing Ltd. Copyright renewed. All rights for BMG Bumblebee administered by BMG Rights Management (U.S.) LLC. All rights for EMI Publishing Ltd in the U.S. and Canada administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219. International copyright secured. All rights reserved. Reprinted by permission of Hal Leonard LLC and Sony/ATV Music Publishing LLC. Library of Congress Cataloging-? in? Publication Data Names: Drew, Alan, author. Title: Shadow man: a novel / Alan Drew. Description: New York: Random House, [2017] Identifiers: LCCN 2016003279 | ISBN 9780812979664 | ISBN 9780812989380 (ebook) Subjects: LCSH: Murder''Investigation''Fiction. | Serial murderers''Fiction. | GSAFD: Mystery fiction. | Suspense fiction. Classification: LCC PS3604.R48 S53 2017 | DDC 813/.6''dc23 LC record available at Printed in the United States of America on acid-'free paper 9 8 7 6 5 4 3 2 1 Book design by Susan Turner

For Miriam, Nathaniel, and Adeline

Free yourself, like a gazelle from the hand of the hunter, like a bird from the snare of the fowler. ''Proverbs 6:5 Find a little strip, find a little stranger Yeah you're gonna feel my hand I got a livin? angel, want a little danger Honey you're gonna feel my hand ''Iggy and the Stooges

Part One

THE THINGS THAT KEEP YOU SAFE Electrical currents pulsed in the tip of each of his fingers. When he had keyed open the trunk of the car fifteen minutes earlier to find the gloves and the X-'Acto knife, a spark had leapt off the keyhole. Now the wind was up, just as the man on the radio had said, ripping leaves from the eucalyptus trees and scattering them into the playground. There, beneath the bruised late-'evening sky, a couple swayed on a swing, the teenage girl draped across her boyfriend's lap. He leaned against a tree trunk for a moment and watched them'? their tangled bodies swaying in a half circle, her small hand pressed against the boy's cheek, her kisses wide-'mouthed and devouring. He peeled strips of bark from the tree until the green skin was exposed to the desert air. The two kids were aware of nothing except each other's body''not the wind, not the deepening darkness, not the screech of the swinging S-'hook, not the man standing fifteen yards away in the night shadow of the bowing eucalyptus trees. The streetlamps flickered to life, and suddenly the dark path of the greenbelt was illuminated, a cement walkway snaking the grass behind fenced backyards. The girl glanced up at the light, but her mind was focused on the boy, on the inner storm heating her body. She might have felt him there, he wasn't sure. People felt things; he'd learned that in the last few months''the heat of his eyes on the backs of their necks, his electric body radiating beneath the windowsill, the hint of his footsteps on their patio steps. It excited him, his presence pricking their awareness. He stood still in the darkness, just as he did now, watching

Alan Drew their momentary pause as though hearing some primal echo of people once hunted. Yes, you were prey once. The girl blinked blindly and then slid down her boyfriend's thighs, her hand moving toward his belt. He could see what her hand was doing, and a memory gripped him''a door thrown open to bursting light, fingers like giant spider legs prickling his skin, his childhood name whispered among the earwigs and beetle bugs and white curlicue worms of the basement. And his childhood voice spoke something, not in his head, not in the memory, but out loud into the present world. 'Who's there'? the girl said, and he was jolted back to himself. Dusk. Santa Ana winds. Greenbelt running through the center of a housing tract. 'Who the hell's there'? the boy spoke now, his voice pitched low to hide his sudden fear. He liked the boy, liked his fear. Awake to himself, he spun around the tree trunk and walked behind the grove of eucalyptus. 'Creeper,' he heard the girl say. 'Rent a goddamned movie,' the boy yelled after him. His head throbbed now. The electricity buzzed in his teeth and the row of trees bowed over him, their limbs shaking in the wind. He could feel his left eye fluttering and closing, his mind spinning into vertigo until his adult self chastised his childhood self and everything found its place again in the world. The lights illuminating the path were like bright white moons stabbed into the ground. He was drawn into the warm pools of light and then into the cool darkness and back into light until he found himself in the half darkness of a flickering bulb. He stood for a moment beneath the staccato filament until finally it sparked and popped. Another light caught his attention then. Beyond the pathway was a window. It glowed orange in the night and cast its mirror image on the mowed lawn beneath it. In that window stood a woman, her head enveloped in steam, her features smudged as though an eraser had been rubbed across her face. He watched the woman now, from the

Shadow Man 5 greenbelt, music from her stereo floating into the hot evening. Some sort of jazz, his fingers tingling with the beat, a cigarette-scorched ? singing voice turned loud to keep her company. She was alone, he could feel it. There was an opening in her fence'no ? locked gate, just a garden of stunted cactus twisting out of white rock. He didn't always know what he was looking for. Sometimes he just went for walks in the neighborhoods''watching the boys in the street popping ollies on their skateboards, sniffing the dampness of pesticide sprayed on the grass, peering into windows where women slipped blouses over their heads. These neighborhoods with their privacy fences and dwarf palms, their greenbelt walks and rows of eucalyptus, their leaves spicing the air with oily mint. Here, in these neighborhoods, people left garage doors open, left backyard sliding glass doors unhinged. They slept with their windows cracked, the ocean breeze on their necks in the early morning. He might go three or four nights without the feeling. A week, maybe. Sometimes he got lucky and felt what he was looking for two nights in a row. Tonight, standing in the pool of darkness beneath a shorted-out bulb, he felt it, and he stepped over the cactus spines into her backyard. He came up along the side of the house. There she was, bent over a cutting board, slicing tomatoes. She was cooking pasta, the starchy thickness of the noodles steaming out the screened side window, knotting his stomach. It had been a while since he'd eaten. The window beaded with steam, turning the glass into a mirror, and for a moment he could see half of his face. He'd caught only glimpses of it in the last few months''a shard of it in the rearview mirror, a cheek and an eye in the side-view, a nose and a forehead while bent over a sink, scouring his hands. His face was soft and boyish, and he was forced to look at it now, that baby face, until the woman slicked her hand across the pane and glanced through the window. He froze and stared back at her, feeling the charged current pass between them. If she saw him, he would run, but if she didn't? .' .' . It was dark outside her window and he knew it was a mirror for her, too. When she tried to look through the glass, all she saw were her own eyes staring back, as though what had

Alan Drew frightened her was imagined. No, he said to himself. What you're afraid of is real. Then she turned to the sink and washed a bowl, her back to him, her shoulders sloped, her flowery housedress tangled around her waist. The music blared into the kitchen''trumpets, bass, drums rat-'a-'tat-? tatting a beat, notes plinking through the screened window like pieces of candied metal. When she was finished she sat on a stool, facing the boiling pasta, and sipped a glass of wine. There was no ring on her finger, no one coming home to her tonight. He liked her, liked her loneliness; her aloneness would make things easier; people who had someone else, he had discovered, fought harder. He found the sliding door. The glass was pulled back, the house opened to the hot wind. Just a screen separated him from the carpeted living room. He tugged on the handle. Locked. He felt his blood rush then, a brief fluttering of his left eye. The door to the basement had had a lock on it, an iron hinge clamped shut from the outside. When the door closed, when he was his childhood self, he had been like a bird with a hood pulled over his eyes, blinking in the darkness of his own brain until the voice in his head strung made-'up syllables together and a space opened up in his mind where the voice lived and the voice kept him from being afraid. Locked. The screen was locked. He watched the woman in the kitchen, her back bowed with heavy shoulders, the steam swirling above her head, the music a chaos of metal clinks. It's just aluminum and mesh, he wanted to say to her. Mesh and aluminum. The stupid things that make you feel safe. Doors and walls, screens and lights. He put on the gloves first, like slipping into new skin, and slit a line along the aluminum frame with the X-'Acto knife''the plinking of each thread drowned by the squeal of trumpets. When it was cut, he peeled back the screen, and the mesh yawned open to let him inside.

Ethat mma was already up in the saddle. She sidestepped Gus across the gravel driveway, the horse's hooves kicking up dust blew across the yard. 'C'mon, Dad,' Emma said. 'It's getting late.' Detective Benjamin Wade was hammering the latch back onto the barn door. When they came up the driveway in his cruiser fifteen minutes earlier, the door was slung wide open, the latch ripped out of the wood by the gusting Santa Ana winds. The winds had burst into the coastal basin midmorning, dry gusts billowing off the desert in the east that electrified the air. The morning had been heavy with gritty smog, the taste of leaded gas on the tongue. By early afternoon, though, the basin was cleared out, the smog pushed out over the Pacific. A brown haze camouflaged Catalina Island, but here the sky was topaz, the needle grass in the hills undulating green from early-? fall storms. 'I'll meet you up there,' Emma said, spinning Gus around and cantering him up the trail. 'Hold on,' Ben said. But she was already gone. He dropped the hammer, the latch swinging loose on a single nail. He pulled himself up onto Tin Man, raced the horse after her, and finally caught up to her on Bommer Ridge.

Alan Drew 'You're getting slow, old man,' Emma said, turning to smile at him. 'You're getting impatient.' 'You want to be here as much as I do,' she said. That was true. This was exactly where he wanted to be''in the hills, riding a horse, with his daughter. They rode side by side now, Emma rocking back and forth on Gus's swayback. Tin Man snorted a protest, shaking his head to rattle the reins; the horse was getting too old for that kind of running, his cattle-'rustling days well behind him. Gus and Tin Man were the last of the cutters. Four years ago, in 1982, when the cattle ranch officially shuttered the Hereford operations, they were set to be shipped off as dog-'food canners. Ben wasn't having any of that, so he bought them for the price of their meat and taught his daughter to ride. The horses guided themselves along the fading cow path past the old cowboy camp, hooves flushing jackrabbits out of sagebrush clumps. He smiled and watched Emma, her thin back and wiry legs in perfect control of Gus. He wished his father could have met her; she was a natural on a horse, a cowboy in a place that didn't need them anymore. They rode through a tangle of manzanita, the branches scratching their calves, and sidled through the shade of gasoline trees until they were in the open again, trailing the backbone of Quail Hill. A slope of poppies spread beneath them, blossoming orange into El Moro Canyon and down to the blue crescent of Crystal Cove. One of the advantages of being a detective was the flexible hours, and when things were slow, as they mostly were in Rancho Santa Elena, Ben could pick up his daughter from school. He had done this for four years now, a reliable pleasure that continued even after the divorce was finalized a year and six days ago and he and his wife'? his 'ex-'wife'''negotiated joint custody. Picking up was not a part of the settlement, but Rachel had stacks of papers to grade and when he proposed it to her she was thankful for the extra time. The added benefit of the gesture, too, was that sometimes Rachel gave him an

Shadow Man 9 extra night with Emma or let him take their daughter for horseback rides on weekday afternoons that weren't supposed to be his. He savored every moment with Emma; he figured he had another year or two of these afternoons together, and then it would be all boys and cruising South Coast Plaza mall with her girlfriends. 'How was the algebra test'? he said, taking advantage of the moment. 'Irrational.' He smiled. 'Shoot anyone today'? she said. 'Was in a gunfight over at Alta Plaza shopping center,' he said. 'You didn't hear about it'? 'I missed the breaking news.' It was her daily joke; in the four years since Ben had left the LAPD and moved south to join the Rancho Santa Elena police force, he hadn't discharged his weapon, except into the hearts of paper bad guys on the firing range out by the Marine base. 'How are you and Mrs. Ross getting along'? he said, hoping Emma hadn't gotten in another argument with her ninth-'grade English teacher. 'Equitably,' she said, another witty evasion. 'Arrest anyone today'? 'Nope,' he said. 'But there's always tomorrow.' He'd driven down to the Wedge in Newport Beach at sunrise, bodysurfed a few windblown waves, and rolled back into town by 8:00 a.m. for his shift. He'd awoken a man sleeping in his car on a new construction site in El Cazador, checked his tags, given the man his fresh coffee, and sent him on his way. He'd run IDs on a psychologist he suspected of selling psychotropics on the side. He'd been called to a skateboard shop off Via Rancho Parkway to hunt down two eleven-'year-'old boys who'd absconded with new Santa Cruz boards. 'Just borrowing them, dude,' one of the kids said, when he found them kick-'flipping the boards at the local skate park. In master-'planned Rancho Santa Elena, he was mostly a glorified security guard, paid to make resi-

10 Alan Drew dents feel safer in a place already numbingly safe''and both he and Emma knew it. 'How's your mother'? he asked, hoping for a tidbit. 'Domineering.' And there she went, standing in the stirrups, cantering Gus down the hill ahead of him. Rachel said it was normal, this pulling away from them''she was fourteen, after all''and he guessed it was, but it didn't make him feel any better about it. 'Take it easy,' Ben called out to her. 'It's steep here.' 'Geez, Mr. Overprotective,' she said, reining the horse in and plopping back in the saddle. He could feel her rolling her eyes at him, a condition that had worsened in the last year. Emma kept her distance now, trotting Gus along the ridgeline, the two of them disappearing behind an escarpment of rock before coming back into view. Down into Laguna Canyon, Ben could see the stitching of pink surveying flags waving in the wind''the 'cut here? line for the new toll road, if the environmentalists couldn't fend it off. The flags followed an old cattle trail that led to the beach. On full moons, Ben and his father would ride the trail together in the shadows of the canyon, the hillsides rising milky white above them. This was the 1960s, before the developers had started bulldozing the hills, and the land was silently alive with owl and raccoon, with the illuminated eyes of bobcat. It was so wild back then that when a grizzly bear escaped a local wild-'animal park, it took game wardens two weeks to hunt the animal down and shoot it in the darkness of a limestone cave. For thirteen days it was the last wild grizzly in California, making an honest symbol out of the state's flag. After two hours of riding one moonlit night, Ben and his father had reached Route 1, recently renamed the Pacific Coast Highway, a four-lane expressway zipping cars up and down the coast. They had to sit perched on their horses for five minutes, waiting for the blur of headlights to pass. 'In ten years,' his father had said, bitterness in his voice, 'everything will be goddamned concrete.' His father had lived

Shadow Man 11 out here since the Dust Bowl days, he and his family escaping a bone-? dry Kansas in '34, stepping off a coast-'to-'coast Greyhound into irrigated fields of orange groves. When he was ten, this was ranchland all the way down to the frothing surf, and he had spent his life watching it be slowly devoured. When there was finally a break in traffic, Ben and his father had nudged the horses across the cement until sand silenced the clipping hooves. They tied the horses to a gnarl of cactus and sat watching the bioluminescent waves crash the beach. It was the red tide, his father said''blooms of algae that sucked the oxygen from the water and flopped dead fish onto the beach. During the day the ocean was stained rust with it, but at night the foam of crashing waves glowed phosphorescent blue, swelling and ebbing bursts of light arcing down the coastline. Ben and Emma reached the top of the hill now, the fledgling city of Rancho Santa Elena spreading beneath them in a patchwork of unfinished grids. Even when Ben was a kid, the basin had been mostly empty''a dusty street with a single Esso gas station, the crisscrossing runways of the Marine air base, a brand-'new housing tract out by the new university, a few outlying buildings for ranchers and strawberry pickers. Now Rancho Santa Elena spread in an irregular geometry from the ocean to the base of the eastern hills of the Santa Ana Mountains, where newly paved roads cut swaths through orange groves. The center of town, the part of the master plan that was finished, looked vaguely Spanish''peaks of red-'tiled rooftops organized in neat rows, man-'made lakes with imported ducks, greenbelts cutting pathways for joggers and bicyclists. It was like watching a virus consume the soft tissue of land, spreading to join Los Angeles to the north. A sudden screech, and an F-? 4 fighter jet roared above Emma's head. Tin Man leapt backward, and Gus startled and bucked, losing his purchase on the rocky trail. 'Heels in,' he called out to Emma, as one of her hands lost grip on the reins. Ben dug his boot heels into Tin Man's flanks and the horse stead-

12 Alan Drew ied, but Gus stumbled down the hill and Emma flipped backward, thumping solidly on her back in the dirt. Ben was off Tin Man, rushing to her, and by the time he was there she was already sitting up, cursing the plane and its pilot. 'Asshole,' she said, slapping dust from her jeans. 'You all right'? Ben said, his hand on her back. 'No.' She slapped the ground, her brown eyes lit with fury. 'I want to kill that guy.' 'Anything broken'? 'No,' she said, standing now. 'Where's Gus'? 'Don't worry about the horse.' She had fallen before, of course, but his panic never changed about it. 'Just sit. Make sure your ribs are in the right place.' He touched the side of her back, pressed a little. She elbowed his hands away. 'I'm fine, Dad.' She went to Gus, who was shaking in a clump of cactus, a few thorns stabbing his flank. She hugged the horse's chest as Ben yanked the thorns out, points of blood bubbling out of the skin. The jet swerved around the eastern hills, dropped its landing gear, and glided to the tarmac. 'Asshole,' Ben said. 'Yeah,' Emma said, smiling. 'Took the words right out of my mouth.' It was nearly dark when they got back to the house, the western sky a propane blue. Emma walked the horses past his unmarked police cruiser and into the barn, and Ben retrieved a Ziploc bag of ice from the house and tried to hold it to Emma's back. 'Thanks, Dad,' she said, hoisting the saddle off Gus, 'but I'm fine.' He let her be and they worked their tacks alone, the rushing sound of the 405 Freeway in the distance. Ben's house was in the flats on the edge of the city, down a dirt

Shadow Man 13 road that ended at a cattle fence that closed off Laguna Canyon and the coastal hills, a patch of wilderness, and the last of the old ranch. The place was a low-'slung adobe, set in a carved-'out square of orange grove''his father's house, a cowboy's joint, the house Ben had lived in until he was eleven. Emma had dubbed it 'Casa de la Wade? three years before and the name stuck; they'd even fashioned a sign out of acetylene-torched ? wood and nailed it above the front door. When he and Rachel had moved back here from L.A. four years ago, they spent the first year in a rented apartment near the new university. He would drive out every once in a while to look in on the old place''the windows boarded up, the barn roof sagging. He had asked around at the corporate offices of the new 'Rancho,' out by John Wayne Airport. Some of the suits remembered his dad from back when it was a working ranch, not a corporation with valuable real estate to sell, and out of respect to his father's memory they let him have it for a moderately inflated price. The house and its acre of land hadn't then been part of the town's master plan; it was in the flight path of the military jets, and the Marines had wanted at least a quarter-mile ? perimeter of open land surrounding the runways in case an F-'4 bit it on approach. The feds, though, had recently decided to close the base, and suddenly the Rancho Santa Elena Corporation zeroed in on the surrounding land. Letters from the Rancho's lawyers had already offered him 10 percent over market value for the place. He had written back and simply said, Not interested, though he knew they wouldn't give up so easily. The Rancho had already declared eminent domain to bulldoze artist cottages in Laguna Canyon. It had its sights set on the old cowboy camp at Bommer Canyon, too, just up the hill from Ben's place. It took a year of evenings and weekends, one hammered broken finger, and a nail through the arch of his right foot to get the place in shape, though mostly it remained a cowboy flophouse, stinking of leather and coffee grounds, and he liked it that way. Ben forked hay into the barn stalls now, while Emma cotton-? balled Betadine onto the cactus cuts on Gus's flanks. 'You ready for softball'? he asked.

14 Alan Drew 'I'm not going to play this year.' 'You love softball.' She had an arm; she could whip it around in a blur and pop the ball into the catcher's mitt. 'You love softball,' she said. 'Why not'? 'You look at those girls in high school and they're all, I don't know, manly.' 'Manly'? he said. His tomboy little girl had a sudden need to be 'pretty.' She'd started spending hours in the bathroom, rimming her eyes with eyeliner, thickening her lips with lipstick. 'There's nothing wrong with those girls.' 'I just don't wanna play anymore, all right'? 'I gotta talk with your mother about that,' he said, glancing at her. Her face was tanned, her dark hair sun streaked. 'And, by the way, you're perfect, if you ask me.' 'Yeah, well, you're my dad, so it counts like forty-'five percent.' Emma finished with the Betadine and closed Gus up in his stall. They had a big dinner planned''carne asada tacos, fresh avocado from the farmers? market, corn tortillas he'd picked up that morning from the tortilleria in Costa Mesa. Back to the Future had just come out on VHS, and he'd already slipped the cassette into the VCR. The Motorola rang in the cruiser. He stepped over to the car and leaned through the open window to grab the receiver. 'Yeah, it's Wade.' 'Been trying to get you on the horn.' It was Stephanie Martin, the evening dispatch. 'It's my night off.' 'Hope you enjoyed it,' she said. 'Got a call from a Jonas Rafferty down in Mission Viejo. They got a DB down there that's still warm. He's asking for you.' A dead body. It had been a long time since he'd been on a murder scene. 'Gotta get you to your mother,' Ben said to Emma. 'What about Fiesta Night''

Shadow Man 15 'Friday,' he said, latching up the barn door. 'We'll do it Friday. I'm sorry.' 'You need a nine-'to-'five, Dad,' Emma said. Seven minutes later, he parked the cruiser in front of his ex-'wife's new condominium in the center of town. Rachel opened the door a crack to let Emma in, but Ben still saw the man sitting on the couch, legs crossed at the knees, a glass of white wine resting in his palm as though cupping a breast. 'A professor'? Ben said, looking over Rachel's shoulder as Emma waved a hello to the man and walked to the kitchen. 'Drives a Datsun four-'banger'? She smiled, the dimple in her left cheek killing him a little. 'C'mon, Ben,' she said quietly. 'You think I'm going to give you that'? She had used the shampoo he liked, cherry blossom or something like that, and for a moment in his mind her wet hair lay across her pillow next to him in the bed they used to share. 'You've got a crime to solve, remember'? 'It's a DB,' Ben said. 'Barring a miracle, it's not going anywhere.' 'Here'? she said. 'In Santa Elena'? 'No,' he said. 'Mission Viejo.' 'Thank God,' she said. 'Is Emma's homework done'? He shook his head and Rachel sighed. 'Out riding again'? 'She fell,' Ben said. 'Jesus, Ben.' 'One of those F-'4s snuck up on us,' he said. 'Spooked Gus.' 'She all right'? 'She says so,' he said. 'But check on her anyway.' 'If she'll let me.' Apple in hand, Emma snuck behind Rachel and started up the steps to the second floor of the condo. 'Forgetting something'? Ben called through the cracked door. 'Where's my kiss'? 'Geez, Dad,' Emma said, pushing her way between her mother and the door. She leaned forward and deigned to present him her

16 Alan Drew cheek, and Ben took advantage of the wide-'open door to once-'over the professor sitting on the couch. 'Hey,' Ben said, nodding once. 'How are you this evening'? the man said, not even bothering to uncross his legs. Pompous ass. 'Got any outstanding parking tickets'? Ben said in a serious voice. The man shifted his weight on the couch. 'Ben,' Rachel said, pushing him back from the door. 'A joke,' Ben said, holding up his hands. 'Just a little police humor.' 'Go do your job, Ben,' Rachel said, and then she closed the door. A body was growing cold seven miles away, but he walked to the carport anyway, trying his hunch on the vehicles, looking for a University of California faculty parking tag, a meat is murder bumper sticker, anything that would give the man away as an elitist wimp. And on the fifteen-minute drive down to Mission Viejo, riding the shoulder past a red sea of taillights, all he could think about was that man's soft hands on his ex-wife's ? skin in the bedroom next to where their daughter slept. The house was on Mar Vista, off Alicia Parkway, .46 miles from the 5 Freeway, according to his odometer. The street was already a carnival, with neighbors straining the yellow tape and half of the Mission Viejo police force parked on the road, cruiser lights spinning blue and red circles. When Ben pulled up, Rafferty was standing on the porch, giving directions to a uniform. It was 7:47; Ben wrote it down on a yellow legal pad sitting on the passenger seat. Rafferty saw Ben's cruiser and waved him in. Rafferty had been a vice detective in L.A., and he took the job in Mission Viejo for the same reasons Ben had taken the job in Santa Elena''safe neighborhoods, great schools for his two kids, little smog, good benefits and retirement plan, and an easier caseload, which allowed him to put his feet up at night with a beer and watch

Shadow Man 17 his sons swim in the backyard pool. Mission Viejo was another in a chain of master-'planned communities in southern Orange County that set out to create an idyll that never existed''lakes where there had been rock, grass where there had been dust, shade where there had been sunlight. It survived on being the opposite of L.A.''clean, organized, boring. In L.A., people were used to crime scenes, used to the fact that there were bad people and they did bad things. Here, the neighbors crowding the crime-'scene tape already carried the look of communal shock. 'Got a DB on the kitchen floor,' Rafferty said, his voice pitched high with adrenaline. He placed his hand on Ben's shoulder; his palm was hot. 'I'm glad you're here.' Since moving south, he and Rafferty had worked a couple of cases together''an illegal-'immigrant smuggling operation with tentacles in both Mission Viejo and Santa Elena, a medical-'insurance fraud case. 'Homicide's not vice, is it'? Ben said. 'At least no drugged-'out chick is screaming at me,' Rafferty said without any humor. Ben could feel his blood pressure rise when they walked into the house. It was brutally hot, the heat of the day still trapped by the walls of the house. The foyer was lined with pictures of children or grandchildren, their smiling faces pinned behind glass. The living room was tidy'the ? carpet recently vacuumed, magazines stacked on a coffee table. Glass figurines''panda bears, cows, miniature unicorns, a seagull with wings outstretched''sparkled in a lighted cabinet against the far wall. A cheap oil painting of a wave catching the light of sunset, probably purchased at a convention-'center art sale, hung askew. It wasn't until he saw what was in the kitchen that he understood what had knocked it off-'kilter. Scuff marks blackened the yellow wall, the sole of one of her shoes ripped apart at the toe. She had kicked and kicked the common wall that separated the living room from the kitchen and nearly knocked the picture off the hook. The woman's legs were pale in the

18 Alan Drew kitchen light, her dress pushed above her knees. Her torso and face were hidden behind the kitchen island. On top of that island was a cutting board, a tomato sliced into thirds, and a knife slicked with pulp and seed. A fan motor rattled above the oven. A pot of pasta sat on the stove top, the smell of starch thickening the heat in the room. The screen to the sliding back door had been peeled open. 'Anyone touch that door'? Ben said to Rafferty. 'No,' he said. 'First on scene said it was like that when he got here.' She had been at the cutting board, he guessed, her back to the door. Between the fan and the boiling water, and the carpet on the floor to soften the intruder's footsteps, she wouldn't have heard anyone sneaking up behind her. 'Get someone to print that,' Ben said, pointing to the stove. There was another smell, too. When he came around the corner of the island, he saw the puddle glistening beneath her dress, the orange flowers deepening red where it was soaked with her urine. He could tell she had been strangled before he saw the bruises on her neck and the fingernail crescents cutting blood out of her skin, before he saw the scratches crisscrossing her chin, before he discovered the petechiae around her eyes like little pinhole blisters. 'Medical examiner on the way'? Ben asked. 'Don't have one.' Rafferty shook his head. 'It's me.' 'The perks of living in paradise, huh'? 'I can do it,' he said. 'I just don't want to fuck it up. That's why I called you. I mean, this is the guy, right'? 'Let's not get ahead of ourselves,' Ben said. In recent months, there had been a series of killings in L.A. and northern Orange County, mostly manual strangulations. No one yet had said there was a serial on the loose, but cops had started to whisper exactly that to one another. The last body, six days ago, had turned up in Seal Beach, thirty-'five miles away. Ben knelt down next to the body. One eye was open, the sclera red with broken blood vessels.

Shadow Man 19 'She fought,' Ben said. 'Hard.' The woman was in her late forties, at least. Barefoot, a reddening burn on her left thigh''from splashed pasta water, he guessed. Jesus. Ben could understand the shootings in L.A. It was business, a twisted ethic among the gangs, a harsh world with harsh laws, and the kids bought into it. But not even a Crip or Blood, not even a Loco, would strangle the life out of someone. It was too much work, too personal, too brutal. You had to be out of your head angry to do such a thing, psychotic angry, or else you had to enjoy it, had to find pleasure in the power of your hands. 'Who found her'? 'Anonymous tip,' Rafferty said. 'The killer'? 'That's my guess,' Rafferty said. 'Doesn't seem to have much faith in us.' 'Look what I've done,' Ben muttered, looking at the bruises on the woman's neck. 'What'? Rafferty said. 'This guy wants an audience.' 'Sick dick.' 'Get a call in to the Orange County ME,' Ben said. 'We need some science down here.'

Ngrams. atasha Betencourt was in the middle of teaching a class on weighing organs. Liver, 1,560 grams. Lungs, 621 And the heart: 315. That always surprised the UC students, the lightness of the heart. When the call came in, she was placing a kidney (276 grams) on the scale. Some of the students had tissue paper stuffed up their nostrils''a bad idea, she told them, since you tasted the stink then; tamp down one sense and another compensates. Vicks was the way to go, but everyone dealt with the smell the way they dealt with it. She'd already lost two students to the toilets. The first one with the Y cut and the second when she unraveled the lungs. Those were the sentimental ones. She had a soft spot for those students; they still attached a person to a body, still sympathized with the cadaver. An admirable sentiment, but misplaced and ultimately ineffective in this line of work. 'The soul flew away a long time ago,' she liked to say in the examination room. 'Just tissue and bone here.' 'Detective Wade on the line,' Mendenhall said, his head poking through the half-open examination room door. 'Needs you down in Mission Viejo.' 'You wanna take over''

Shadow Man 21 Mendenhall, the lieutenant medical examiner, never taught classes. He felt it was beneath him to walk the UC students around, much less show them how to use a Stryker saw, so it was left to Natasha, his deputy. Charging her to teach the classes was Mendenhall's way of reminding her that a woman didn't belong in the medical examiner's office, though he was more than happy to let her do most of the work. Worse than his disdain for teaching, though, was Mendenhall's distaste for fieldwork. Too messy. He was all clinical, liked to keep his shoes clean. 'School's out early,' he announced to her students. Natasha was in Mission Viejo in thirty-'five minutes, smoking cigarettes on the way to kill the stench of the examination room. The smell: It didn't bother her in the lab, but out in the world it did, when she felt it was tangled in her hair, trapped in the fibers of her clothes. That was the problem with being an ME: balancing the examination room and the outside world. Everything was clear in the medical examiner's office but not out here, not at all. She ducked under the yellow tape in front of the house, stepped through the foyer into the kitchen, and came around the corner of the island to take in the scene. 'I thought this kind of thing didn't happen down here,' she said to Ben, who was down on his haunches, taking notes on a yellow legal pad. 'It didn't,' Ben said. 'Until it did.' She set her kit down on the floor and knelt across from Ben. One of the deceased woman's blue eyes stared at her. She understood why Mendenhall didn't like the field. The examination room was impersonal, but kneeling next to a body on the floor of her own kitchen was a different thing. The woman had been alive just minutes before; the color was still in her cheeks. Alive was alive, dead was dead. Where the two met was the difficult part. In your mercy, she thought, turn the darkness of death into the dawn of new life. She hadn't been to Mass in years, but being on scene always brought out the Catholic schoolgirl in her.

22 Alan Drew 'Strangled,' Ben said. 'I see that.' She opened the kit and slipped on gloves. Petechiae. A necklace of bruises around the throat. 'You been out riding'? 'How'd you know'? 'You smell like horse.' Fractured hyoid bone. The larynx caved in. 'You need anything, sweetheart'? Natasha turned to find a detective standing over her, his badge dangling from his leather belt, his face full of condescension. 'Yeah, honey,' she said. Crime scenes were generally a boys? club, full of testosterone-'driven machismo. 'I need you and all these other idiots out of my crime scene.' Ben looked at the floor and smiled. The detective, without another word, cleared the kitchen. Cops. These entitled little boys. 'How's Emma'? Natasha asked. She had shared an In-'N-'Out burger with Ben and Emma a week ago''his invitation''but he hadn't called her since. A little over par for the course for him. 'She's a teenager.' He shrugged. 'Ah, you're not her knight in shining armor anymore.' Ben flashed her an ironic look and then got back to business. 'Seems like it's manual,' Ben said, pointing to the woman's neck. 'No ligature.' 'Is that so'? Natasha said. 'Go do your job, Ben, and let me do mine.' 'Right,' he said, slapping his thighs before standing up. 'One more thing,' Natasha said. 'What's her name'? 'Hold on. I got it written down.' Ben flipped pages on the legal pad while Natasha got down on her elbows, Dictaphone in hand, and examined the woman's neck. She would have passed out quickly, but the killer would have had to stare into her face for two to three minutes'? a quiet face, a nice one''crushing the trachea, snuffing her out with his hands before the brain shut down. 'Emily,' Ben said finally. 'Emily Thomas.'

Shadow Man 23 'All right, Emily,' Natasha said quietly, so only Emily could hear. Cardinal sin, she'd tell her students. Don't personalize the body. But on scene was different; on scene there was disturbed energy in the air. 'Show me what he did to you.' In the thirty-'five minutes they had waited for Natasha, Ben had studied the sliced-'open door screen: a clean cut, with a scalpel-'like instrument, probably an X-'Acto knife. The chrome appliances shone in the kitchen track lighting, none of them smudged'? at least to the naked eye''by an intruder's fingertips. Ben had stuck his nose down near the dead woman's neck, to see if he could smell it. There it was, the petroleum-'and-'baby-'powder scent: The killer had worn latex gloves. Ben had sent a uniform out to interview the neighbors, too, asking them if they saw anything unusual''a car parked on the street, a man climbing a fence or slipping behind the shrubbery. Nothing. Natasha was on her knees photographing the body, a bright flash and then everything back into focus. A junior detective finally fingerprinted the stove, and Ben turned off the fan so he could hear himself think. 'Broken hyoid bone,' Natasha said into her Dictaphone. Then whispering, not into the Dictaphone but almost as if she were sharing secrets with the woman. He'd seen her do it before''when a boy drowned in a backyard pool, when a woman was hit by an Amtrak train. He almost asked her about it one night when they were out having drinks but decided against it. Another camera flash, everything overexposed, then all the colors and shapes in the right place again. 'Dead sixty to ninety minutes.' 'What's with her'? Rafferty said. 'Natasha'? Ben said, smiling. 'She's not the 'sweetheart? type.' 'What a bitch.' Ben bristled a bit. 'Jonas, how about calling her 'Dr. Betencourt'''

24 Alan Drew Rafferty had gridded the house. Officers were searching each section for evidence. It was still horrifically hot inside, humid with pasta steam, stinking of death and onions. In the time since he'd last been on a murder scene, whatever immunity Ben had built up to it had been lost. Homicide was not like riding a bike. He watched Natasha, stretched across the kitchen floor, side by side with the DB''flash'? then stepped outside for some fresh air. The street was a circus. Reporters pushing against the yellow tape, kids on BMX bikes gawking at the scene, a neighbor crying. He saw, between two houses, a couple walking a golden retriever on a path beyond the backyard, beneath a burned-'out streetlight. 'Jesus Christ,' he mumbled. 'Suburban cops.' He climbed the front lawn and walked back into the house and found Rafferty bent over an investigator dusting the screen door for prints. 'Raff,' Ben said. 'We need a perimeter back here.' Rafferty called out to a couple of uniforms and Ben squeezed through the torn opening of the screen door, following a line of matted grass with a flashlight to a cactus garden at the edge of the backyard. There he saw the prints''Vans skateboard shoes; he could tell by the hexagonal pattern outlined in the pale soil. Eights or nines, he guessed. A uniform was rolling out tape that cut off the backyard from the greenbelt. 'Go inside,' Ben told the cop, 'and tell Rafferty to get someone out here to take pictures of these.' Then Ben was up on the greenbelt sidewalk, standing beneath the blown-out ? bulb and the eucalyptus bowing in the wind. Every hundred feet down the path stood a brightly lit streetlamp, except here, except right here. The house to the left had a six-'foot privacy fence and a locked gate. The house on the right had a line of juniper trees, maybe ten feet tall, cutting the backyard off from this one. It wasn't difficult to see why the killer chose this house. There were no clear lines of sight from the neighbors'; the only place where you could see inside was right here. He stood in the dark and watched a house full of men combing the first floor. He could see Natasha on

Shadow Man 25 her knees now, snapping more photos of the body, the warm light framed by the windows like an invitation. Natasha accompanied the body up to the county ME's office in Orange nearing midnight. Ben left the scene to Rafferty and was back at the station in Santa Elena by 12:52 a.m. The night-'shift cops were hauling in the drunks, lawyers, and businessmen, one VP for Security Pacific Bank threatening to sue. He typed up his report and left it on Lieutenant Hernandez's desk. It was Rafferty's case, Mission Viejo being out of his jurisdiction, but Ben made it official anyway. He liked to dot his i's and cross his t's. Every deadbeat he'd known, every crooked cop, had cut corners, used loopholes, exploited vulnerability. Follow the rules, he liked to tell Emma; it'll make you a good person. He left the station at 1:42 and drove the mile over to Rachel's condominium, idling the cruiser in the complex parking lot. The rush of the freeway echoed hollow, as though the sound carried all the way from Los Angeles and beyond. If the killer had driven the Santa Ana down to Mission Viejo earlier tonight, he'd passed the off-? ramp that led straight to this condo. Ben could tell the kitchen window was wide open. He knew, too, that Rachel liked to leave the sliding glass door to the backyard open, the ocean breeze cooling the rooms. That's why they'd moved back here. It was safe; you could leave your doors unlocked. Hell, you could leave them flung wide open. A blue light flashed from Rachel's window, and he knew she had fallen asleep with the television on. A wave of satisfaction washed over him; the professor hadn't stayed over. If things hadn't fallen apart between them, he would sneak into the room right now to find her clasping two pillows to her chest. He'd click off the screen and slip into bed with her in the beautiful silence of the early morning, everything he gave a damn about breathing the same air he did. The move here was supposed to save their marriage. The last

26 Alan Drew straw, the thing that finally made them pack up their Marina del Rey apartment and drive the thirty-'eight miles south in a rented U-'Haul, was the shooting. Emma had been nine then, and Ben had been popped in the left arm six months before in East Hollywood by a twelve-'year-'old gangbanger who had been forced into a blood-'in initiation ritual by his older brother, a heavy in the La Mirada Locos. Shoot the 5-'0 and you're in; don't shoot the cop and you're out and we won't protect you. That was the kind of choice kids in the worst L.A. neighborhoods had to make. Ben didn't even see the kid; heard the shot and then felt the burn in his arm, just like that, the bullet streaking through his unmarked Ford's open window. There was a shitload of blood, slicked over the armrest and splattered across the steering wheel. He called it in but didn't wait around to bleed to death; he gunned the car to St. Vincent and walked himself in, his head like helium by the time the nurses got the gurney. Later, at the court hearing, the kid had apologized, dressed in a suit too big for his underfed body, a sewing-needle ? tattoo etching the side of his neck. Not even shaving yet, his voice still singing soprano, and already owned by the street. He was sent to juvie and then released to the custody of his grandparents, and two weeks later the kid ended up facedown in a vacant lot, shot in the back of the head by his cousin, a smog-'stunted palm tree waving above him. And that was it for Ben; what the hell were you supposed to do with that? He investigated the murders, sure''the drive-'bys, the drug deals gone bad''but he tried to work with the kids, too, tried to show them a way out. He had na'vely thought he could bring some order to their lives. But once it went Cain and Abel over gang allegiance, what could you do? That was something permanent, something rotten in the culture. At the time, he didn't tell Rachel it was a kid who shot him. What was he going to say? A prepubescent child nearly sent him toes up? Jesus, it rattled him enough, not to mention how it would scramble her. The hole in his arm was all she needed to know. They had to get themselves out of L.A. Rachel was too unhappy, too confused. She

Shadow Man 27 couldn't take it anymore''the constant worry, her exhausting teaching position at the underfunded high school in North Hollywood. At first the job felt like an admirable mission to a third-'world country, but it quickly grew into an exhausting exercise in futility. L.A. had worn them out''Rachel trying to save the kids with education and Ben trying to save them with the law, and their marriage going down the toilet. Not to mention Emma's own educational future. L.A. public? No way. They had a child to raise and Rachel wasn't going to do it alone, and he was damn well not going to make her. Rachel wanted to go home, back to Santa Elena, where they both grew up, back to where things didn't seem to be spinning out of control. The Santa Elena assistant police lieutenant, Ramon Hernandez, had been fishing partners with Ben's late father, and the police department was expanding. Ben got an interview, and the job offer came two weeks later. Rachel found a good job at the high school in El Toro, the next town over, and all the dimly lit stars aligned. Now here they were, nearly five years gone, in the gorgeous other side of L.A., and everything had finally gone to hell. Sometimes he thought if he had stayed on the force in L.A., they would still be together. During the day, he and Rachel would be bound by their fear, and in the evening they'd share the relief that someone hadn't popped a hollow-'tipped bullet into his chest. It was too good in Santa Elena, too easy to get bored, to be sucked into the vortex of complacency. You started to believe you deserved more than you had, deserved what your neighbor had''and they always had more''and once you started thinking like that there was an anxiousness that set in on you, a rotting dissatisfaction. Maybe that's what happened to them after they moved here. When you had it bad, you were glad for the good, any good. When you had it good, you wanted it better. Emma's window was dark, glowing only with a string of white Christmas lights she kept hung from the ceiling year-'round. He got out of the car and walked the sprinkler-'dampened grass to the back of the condo. As he suspected, the sliding glass door was pulled open,

28 Alan Drew just the screen separating outside from in. He tugged on the plastic handle, but the lock was engaged. He found the penknife in his coat pocket, jimmied the lock free, and slid the door open. Click locks were nothing; door locks could be picked with a paper clip. Only deadbolts were worth a damn. He stood there for a moment in the dark, waiting to hear Rachel moving upstairs. Silence. It was too easy to get in; thirty seconds and the killer could be standing in the family room. He closed the screen and the sliding glass door, engaging both locks. He walked the edge of the room, jumping around the creaky spots on the floor''he'd visited enough to know such things''and slid closed and locked the window in the kitchen. A pad of paper was sitting near the phone and he wrote Rachel a note. You're going to be pissed off, he wrote, but ask me about it later. He checked the coffeemaker. The timer wasn't set, no coffee in the filter. Ben had always taken care of the coffee, a full pot at 5:30 a.m. every day. He found the tin in the cupboard and scooped a few spoonfuls into the filter. He set the timer, pressed start, and left the note propped up against a clean coffee mug. He snuck through the hallway into the foyer and stood gazing up at the weak light emanating from Emma's cracked bedroom door. He wanted to go up there, wanted to kiss his daughter, wanted to crawl into bed with Rachel. He wanted to rewind the last five years of their lives together, pinpoint the places he'd screwed up, and fix them all. But of all the useless thoughts in the world, this was the most useless. All you could do was say you were sorry and hope they believed it. He opened the front door by millimeters, turned the door-'handle lock''man, they needed a deadbolt''and stepped out into the night, pulling the door closed behind him and checking it twice to make sure the lock was engaged. After the ambulance delivered the body to the medical examiner's office, Natasha was alone in the examination room. The body lay

Shadow Man 29 on a stainless-'steel gurney, covered to the toes by a blue sheet. She found a tag, wrote down the woman's name''Emily''and tied it to the big toe on her right foot. The toenails were painted with chipping teal enamel. She liked it like this, the silence, particularly after being on scene. On scene, the body seemed demeaned to her, all those people milling around, standing over it, the chaos of an investigation. Here, the bleached-'white tile of the examination room felt appropriately serious to the disrespectful task of opening up a body. Here, her job was clear: Determine the cause of death. Not: Who caused the death? Not: Why did they kill? Just: What? Straightforward, objective. It was like a puzzle with clear rules, like the ones her father, an immunologist, used to play with her as a child. 'If this cell kills this bacteria,' he would say, 'why does it not kill this one'? An autopsy couldn't be performed until next of kin were notified, a job that got left to the detectives. But she would wash the body tonight, dignify it by making it clean. She wheeled the gurney over to the floor drain near the sink, soaked a cloth, pulled back the sheet, and pressed the cloth between Emily's toes. She swabbed the arch of her right foot and then her left. She then moved up the woman's calves, washing away the indignity of having lost her bowels, the blood starting to pool purple in the fat of her thighs. Natasha couldn't help it; it always disturbed her, the bodies of women killed violently. Men who had been shot or stabbed, men who had OD'd, men's bodies in general, didn't bother her; for the most part they were killed by some stupid business they'd gotten themselves into. But not the women. Women, most often, were killed by the men who got themselves into stupid business. She tried to remind herself that death was death, equal in its permanence, but the moments before death were not equal in their terror, and Natasha couldn't convince herself not to be bothered by this. She moved up Emily's torso, washing away the sweat of the day, then wiped clean the more-intimate places, tossing one cloth out and starting again with a fresh one.

30 Alan Drew She remembered the night on Signal Hill; it sometimes came to her when she was here alone with a female body. 'Let's go watch the submarine races,' the boy had said, leaning into her in the doorway. She had been at a frat party. A stupid nineteen-'year-'old girl. She wasn't a little sister, but her roommate at the time, Kris, had been. It was a cheap night out''a backyard keg, jugs of wine, boys, most of them clean-'cut and drunk. She had known this boy, the one with the plastic cup of beer dangling from his fingers, the one with the blue eyes and the easy smile. He had been in her psych class and she had watched him from afar, flirted with him over coffee in the university courtyard. Submarine races? The joke was so obscure she couldn't register its meaning. She was a little drunk herself and enjoying the loose feeling of her muscles, her sudden lack of anxiety, the boy's blue eyes on her. 'Sure,' she'd said, laughing. The boy''well, he was a sophomore in college, twenty''had parked the car, a nice car, a Camaro, on the edge of a ravine, the orange port lights of Long Beach spread beneath them like shattered glass, the mechanical hum of oil derricks pumping behind them. There was one other car parked on the edge of the hill, thirty yards away, and she remembered seeing the glowing point of a lit cigarette behind the darkened glass. And when the boy started pressing himself against her, she'd said no''at least, that's what she remembered saying. And when he'd gotten his hands up her shirt, she had said no again, but he was drunk and moving quickly, and her back was pushed up against the door handle, and he was six foot four''something she'd admired about him, his lanky limbs, his butterflied back''and it was over quickly. Afterward he'd kissed her on the neck, tenderly, as though what had just happened held great meaning for him. And his passion, his belated tenderness, confused her. Natasha washed around the woman's breasts now, cleaning away dried sweat, and then moved to her neck, where the killer's hands had clamped down, and dabbed the cloth on the crescent-'shaped cuts surrounding her esophagus.

Shadow Man 31 She didn't think about that night often; it didn't obsess her. It simply floated into her mind occasionally, when the deceased had been sexually assaulted, strangled. The submarine races. She had been drunk, and he had been speaking in code, a code she later discovered other girls spoke. She'd gone out on a date with him a week later, the boy using his fake ID to buy them a bottle of Blue Nun at a little Italian place strung with white Christmas lights. She'd even let him kiss her at her dorm room door. Let him place his fingers on the curve of her left breast, all of her insides cramping into knots. He called her again two days later, and she told him he was nice but that she wasn't interested in dating someone right now. She could hear the disappointment in his voice, hear him saying, 'But I thought'? ? and 'What the hell, Natasha.' She hadn't been a virgin, they'd both been drunk, he was mostly a nice boy, and she let it go, burying herself in her studies after that. Getting straight A's the rest of the year, grades she'd never gotten before, grades that prompted her parents to take her out for a lobster dinner at Nieuport 17. 'We're so proud of you,' her father had said. 'I knew you could do it.' She pulled back the sheet to expose the woman's face, Emily's face. She washed the dried vomit from the woman's lips. Then she washed the hair, too, combing out the tangles with her gloved fingers. 'You did nothing wrong,' she told Emily, while she strung out her wet hair on the stainless-steel table. 'You did not deserve this.' It was nearly 3:00 a.m., the coffee had worn off, and she could use herself as a cautionary tale in her classes. Don't get attached; keep the heart for the outside world. Draw lines between work and home. Don't lose your husband to an aerobic-'dancing account executive. 'It freaks me out,' he'd said to her once. 'Spending all your time with dead people. It's like you bring them home with you.' She pulled the sheet over Emily's face and was presented with only the body. She looked at the neck again and noticed something. After finding a tape measure, Natasha counted the span of the fingernail cuts. From bloodied crescent to bloodied crescent: 172 mm. She

32 Alan Drew set the tape down and spread her hand across the body's neck, her fingers shadowing the marks left by the killer. She peeled off her gloves and found the phone on her desk. 'Wade,' Ben said when he picked up. 'You sleeping'? she said. 'You kidding'? 'Out in the barn'? she said. 'Can't think at the station.' 'You should come over here,' she said. 'It's dead quiet.' He chuckled, but she could tell he was troubled by the night, too, and sometimes black humor didn't work no matter how much you needed it to. 'Small hands,' she said. 'What'? 'Whoever killed this woman has small hands,' she said. 'No bigger than mine.' 'The killer's a woman'? 'That's your job,' she said. 'But they're woman-'sized hands.' Ben got off the phone with Natasha and put a call in to Rafferty to tell him what Natasha had discovered about the killer's hands. He got the detective's station voicemail. Probably at home asleep in bed with his wife. Rafferty was one of the few cops he knew who was still married, despite his taking liberties while working vice in L.A. Delia, his wife, had found out; that's what prompted the move south, though Ben knew once a man started craving anonymous sex, no clean streets or nice parks or evenings by the pool with the kids would satiate that urge. The boredom of it all most likely fed the impulse. He left a message telling Rafferty to call him in the morning and turned on the scanner. Soon after he and Rachel had moved into the house from L.A., Ben had rigged up a den for himself in one of the unused stables in the barn. Desk, police scanner, boom-'box stereo, a mouse nest in the

Shadow Man 33 corner behind the old empty feed trough. He had fastened a combo-? locker to the wall where he kept his .40 caliber, empty of bullets, safety on. There was a 12 gauge, too, and his father's Browning bolt-? action, all of them under lock and key. He didn't like bringing the ugly side of the job into the house''the gun, the handcuffs, the photographs; he wanted the illusion for his daughter and his wife that nothing ugly happened here. It was the illusion that all happy childhoods were built upon. To be happy in this world, you had to ignore some things. It was the usual stuff on the L.A. County scanner tonight'? drive-'by on Whittier Boulevard in East L.A.; robbery in progress at Las Palmas gas station, both suspects 'black and short,' according to the dispatch; DUI in West Hollywood, Ferrari, 'a person of note,' the uniform said over the radio with a bit of glee: an actor, of course. Ben had left the barn door open, the dry air blowing through the gabled rooftop. He watched the eucalyptus bow in the Santa Anas; gusts to sixty tonight, the forecast said, maybe seventy'? a dry hurricane. The barn frame creaked; blasts of dry air puffed through gaps in the wooden slats. Ben had a topo map of the basin, from Oxnard to Oceanside, hanging on the wall''the bowl of land terraced downward toward the beach, the shoved-'together cities like detritus washed down the ravines of the San Gabriel Mountains. He found the Mission Viejo scene on the map and penciled a mark on the street: 1431 Mar Vista, just off the 5 Freeway. The scanner went quiet, a white hush of static in the room, and he switched it over to the Orange County wire. He pushed a file on his desk aside''surveillance photos of a suspected cocaine dealer in Santa Elena. The man ran an RV dealership he'd taken over from his father in the seventies. He had three kids, a wife'? a very thin, young, Mercedes-'driving wife, who often suffered nosebleeds at the gym, according to one of the detectives. Ben had an informant, a frightened ad executive picked up for possession in the bathroom of a Bennigan's out by the airport. Tell us your supplier and there'll be no

34 Alan Drew charges. Simple stuff. He'd been out to interview the dealer at Travel? and, tailed him going in and out of restaurants, but had nothing yet to hang a search warrant on. He could ignore the guy, honestly, just let him keep snorting the stuff and selling the stuff to be snorted by his buddies. No one was fighting for market share, for territory; these weren't people terrorizing a neighborhood to build an empire. They were wealthy and bored and wanted to get high. Polite criminals, the type Santa Elena could tolerate. The scanner squawked: a woman on the number 54 bus in Orange threatening to shoot the driver for not pulling over at her stop. A wash of static again, electricity humming the wires. He ran his index finger up the Santa Ana Freeway and rode the interchange to the 405 up to the Seal Beach crime scene, the last place the serial killer hit. Fullerton clicked in. 242. Frat-'party fight. A gust shook the rafters of the barn, and Annie Oakley''Rachel's horse''kicked the boards next door. 'Shh,' he said. 'It's all right, girl. Just the wind.' He slid his finger back onto the 405, traced the freeway past the industrial stench of Carson and the civil war that was Compton. A murder felt like a disruption in the atmosphere, but it wasn't. You got used to it, mostly. Most of the time the killings made twisted sense? a dealer crowding in on another's territory, revenge for stolen money, a man losing his mind when he discovers his wife's lover. A serial killer, though, that was something different. The serial killed for the sole purpose of killing; that was like a hole opening up in the sky and letting out the oxygen. He pushed his finger south onto the 110 toward the harbor, until he came to the estates of Palos Verdes. The third house the killer hit was right there, a few blocks off the highway. He'd already pinned it with a red wall tack. The box squawked again. 503. Stolen car. Huntington Beach. He ran the basin with his finger, cruising the freeways, trying to find a thread, a connection, a symbol etched into the map between

Shadow Man 35 red pins'La ? Ca'ada, Santa Monica, Palos Verdes, Seal Beach, Diamond Bar, Yorba Linda, and now Mission Viejo. Nothing. Just freeways, off-'ramps, seven houses and seven murders spread over 1,200 square miles. The scanner was quiet, the static hum of the early-'morning calm. Even killers sleep. He switched it off, clicked a cassette tape of Marvin Gaye, and stared at the map. 'Ah, things ain't what they used to be, no no? .' .' .' He pictured the woman on the floor of her kitchen tonight, contorted with stiffened muscles, and that memory collided with the memory of Emma falling off Gus. The way she went down'? backward, headfirst''was just the way it had happened to his father. Sitting there on Tin Man, he was terrified Emma was going to break her neck. He was sure of it, and he couldn't shake the feeling of that knowledge; for a moment, in his heart, she had died. Talk about an atmospheric disruption. 'Poison is the wind that blows from the north and south and east? .' .' .' Marvin crooned. The afternoon of the day his father was killed, they had been pushing the cattle into Bommer Canyon, where the grass was still knee-'high. His father, up on the ridge, herded the cows toward Ben, down in the flats. A heifer was bawling at a clump of manzanita, her cries echoing off the limestone wall of the hillside. It was early summer, just a few months after birthing season, and when Ben came up along the side of the cow he saw her calf in the bushes, its head flopping up and down. Camouflaged in the brush, a mountain lion had its nose buried in the calf's stomach, devouring the still-'living animal's intestines. The lion was ten feet away, just ten feet. Ben could have taken a shot, could have blasted open the lion's skull, but his stomach upended and he dry-'heaved into the bushes. By the time Ben got his stomach back, his father was racing down the hill, popping off shots at the lion. All three shots missed, and the lion bolted up the rocks, all claws and sinew, into the deep brush beyond.

36 Alan Drew 'Put that animal out of his misery,' Ben's father said to him, before he heeled his horse into pursuit down the finger canyon. Ben stood there, his .22 in hand, watching the dying calf. Behind him, the heifer bawled, a sound he never imagined an animal could make''something almost human about it. Ben heard the clap of his father's rifle echo down the canyon, and he cocked his own rifle. But Ben couldn't make his finger work; he was eleven and his mind wouldn't send the necessary impulse to his finger. He watched the calf's head go rigid in the underbrush before he sighted the space between its eyes and pulled the trigger. A useless cover for his cowardice. 'Wipe those tears,' his father had said when he got back. Two important lessons: Kill when necessary, and don't cry about it. You're almost twelve, for Christ's sake, not a little kid anymore. They hunted the lion up Moro Ridge, rode a deer trail along the cleft of the hill, the evening sun cutting geometry out of the ridges, the grass in the valley below bruising purple in the approaching fog. They rode for three hours, down into splinter canyons, both their rifles cocked, picking along the edge of limestone outcroppings as the fog blanketed the sage and manzanita, the gray sky swallowing the gray hillsides, the clouds erasing the landscape. It was nearly dark when they left, fogged in and sunless, and the paved road was so new on the landscape that Ben forgot it was there until he heard the clip-'clop of his father's horse's hooves. Ben's horse, Comet, balked at the cement, and Ben steadied him just in time to see a streak of green metal flash in front of the horse's nose. A Chevelle, a '66, he was sure of it. It never stopped, just appeared out of the darkness and clipped the hindquarters of his father's horse. In the headlights, the horse spun, and in the taillights, Ben watched his father and the horse flop into the ditch. His father's neck was snapped against an aluminum irrigation pipe, his body horribly still. His father's horse stood, miraculously, at the bottom of the ditch, a two-'inch gash bleeding on his hindquarter. Ben stumbled into the ditch, tried his father's pulse, held his hand to

Shadow Man 37 his father's open mouth, hoping for a breath, but necks weren't meant to turn that way. Crying, Ben tried three times to run the horse out of the irrigation ditch, the dry ground giving beneath their weight, until he found a purchase on the cement and led the horse out. He walked both horses home to the barn, cleaned the cuts with Betadine, combed the sweat out of each, and put them in their stables for the night. He must have been out there for forty-'five minutes, the wires gone crazy in his head. And three hours later, after Ben had told his mother, after the sheriff had pulled his father's body out of the ditch and inspected the horse's wound, after he'd taken a statement and declared to Ben and his mother that the police would find the car, Ben's mother eyed him across the kitchen table. 'You put the horses away,' she said, swollen pillows of skin beneath her eyes. 'Why didn't you come get me immediately'? 'I don't know,' he said. Shock, Ben knew now, but then he didn't know why, had no way to explain it. 'You left him there and cleaned the horses'? She narrowed her eyes as if she identified something new in him that she didn't like, and she looked at it hard. 'Maybe he could have been''? He burst out sobbing. His mother's eyes softened then and she held out her arms and he tried to curl his eleven-'year-'old body, all lanky legs and knobby joints, into her lap. Now he sat on the metal folding chair and listened to the freeway rush, the white noise of millions of cars speeding on pavement, Marvin singing, the boards and slats moaning in the wind. One shot, and none of it would have happened. If he'd made that one shot and killed the mountain lion, his father might still be alive. He thought about that a lot''when he was a kid, after his mother remarried, when he went off to the police academy, even now: the necessary things left undone. The wind was picking up again, and through the open barn door he watched the trees bend, their thin bodies outlined by the orange

38 Alan Drew glow of the distant city. There was a killer out there somewhere, a woman's body growing cold on a stainless-steel ? table at the county medical examiner's office. A gust scuttled sand across the floor of the barn. Ben pulled a red pin from a bowl and stabbed it into the map at the Mission Viejo address. He shut off the lights and sat in the dark, the trees arcing and swaying, arcing and swaying.

6:07 the next morning, he got the call. He stumbled, half asleep still, from the couch to the kitchen to grab the phone off the hook. 'Sleeping in today, huh, Ben'? It was Ken Brady, the overnight desk sergeant. 'Yeah, Ken,' he said, rubbing his eyes. 'Beauty sleep.' He had finally crawled into bed at 4:12 and tossed until 4:53 before retiring to the couch, listening to the house beams buckle and moan in the wind, before nodding off into a half sleep. 'Shame I have to bother you, then,' Ken said. 'Must be a blue moon. Got a body out in the strawberry fields. Serrano Canyon and Junipero.' On a legal pad, he scribbled the time of notification, then called it in to Lieutenant Hernandez and Natasha. He ran his head under the kitchen faucet to jolt himself awake and grabbed an apple from the fridge. In the barn, he snatched the .40 caliber out of the locker, and he was on the road in three minutes. There were three black-'and-'whites on scene''two parked on the south edge of the field, near an irrigation ditch, and another patrol car pulling a perimeter on the west. He radioed dispatch to get more

40 Alan Drew units out to cover the corners, parked his car on the south side, near the two patrol cars, and surveyed the scene from a distance. The body lay a hundred to a hundred twenty yards away, on the western third of the field; he couldn't see it from here, but he saw that a uniform was standing over it. On the eastern edge of the field stood tenement camps but no squad cars. The uniform next to him nodded. 'Detective.' He was leaning against his cruiser door, smoking. 'Officer,' Ben said. 'Put that cigarette out. I need you over at that camp. No one in or out.' The officer flicked the butt into the dirt and slid into the squad car, muttering something before driving the black-'and-'white down the dirt service road bordering the field. Ben took latex gloves out of the trunk of his cruiser and scrambled into the irrigation ditch, hopping the trickle of water dripping into the metal drain. He held his breath as he made it across the field, counting the beats of his heart. Calm, man. Calm down. It was a kid, just a kid, not much older than Emma. A boy. Ben leaned on his haunches to take it in. It was the worst when it was a kid. Something twisted up inside you with the waste of it. 'You first on scene'? he asked the beat cop standing a few feet away. The cop had a notebook in hand and flipped to the previous page to look at his notes. 'Five fifty-'seven.' His voice shook; his face was bleached white. He couldn't have been more than twenty-'five. 'First DB'? Ben said. The cop''Chang was his name''nodded. 'I threw up,' he said, as though at a confessional. 'No shame in that.' Ben stood and rested his hand on Chang's shoulder. Ben's first DB was a drive-'by, a nineteen-'year-'old shotgunned on his low-'rider bicycle. He was alive when Ben arrived on scene, twisted in the spokes of his bike. Ben held his hand while he bled out into the gutter. 'I'd like to say it gets easier,' Ben said, 'but I hope it doesn't. If it does, means you've seen too much of it.'

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